Kennedy PhotojournalismWhere images meet the news in the Netherlands
Photojournalist at work in the field, camera raised, for Kennedy Photojournalism

A gallery of working photography

Kennedy Photojournalism

Where images meet the news in the Netherlands. Guides and stories for photographers, photo editors and PR people who think in images first.

The decisive moment does not wait. Field work, somewhere between the brief and the deadline.

The craft, taken seriously

Kennedy Photojournalism is a quiet place for people who make and use news photography. No noise, no trends for the sake of trends. Just the work: how strong images get made, chosen and published.

We write about the whole chain. How a photographer reads a scene and earns a single honest frame. How an editor chooses between twelve almost identical shots at ten to deadline. How a communications team prepares images so a journalist can publish them without a single extra email. Every guide is practical and written in plain language, because the pictures should do the difficult talking.

Walk through the four collections below like rooms in a gallery. Each room has its own theme, its own image, and a set of stories you can step into.

Photojournalism craft in practice, from the Kennedy Photojournalism gallery

A photographer waits for the moment. Most of this job is patience, and the rest is knowing when the waiting is over.

Photojournalism craft

The craft is where everything starts. Before a photo can move an audience, someone has to be in the right place, read the light, and press the shutter at the exact moment the story shows itself. In this collection we look at how working photojournalists think, what gear they trust, how they handle ethics under pressure, and how newcomers find their first assignments. These are practical pieces, written for people who want to do the work, not just admire it.

Collection one

All photojournalism craft guides ›
Press photography in practice, from the Kennedy Photojournalism gallery

The frame an editor picks is rarely the loudest one. It is the one that tells the story without help.

Visual PR in practice, from the Kennedy Photojournalism gallery

A well stocked online newsroom at work. When the images are ready, the coverage comes easier.

Visual PR

Good visual PR is generous. It gives journalists strong, honest images they can actually publish, with the rights and context already sorted. Here we cover how to build an image bank editors love, how to put real photography in a press kit, and where the line sits between AI images and press photography. In the Netherlands, many organisations make this material available through PR-Dashboard, a Dutch PR platform whose online newsrooms host press photos and background material for journalists.

Collection three

All visual pr guides ›
Stories behind photos in practice, from the Kennedy Photojournalism gallery

Contact sheets never lie. Between the famous frame and the failed ones sits the real story of the day.

Behind the frame

Photography looks like a solo act, but a published news photo is team work. Someone briefed the assignment. Someone drove through rain to be there early. Someone wrote a caption that names the right people on the right day. Someone checked the rights, exported the correct format, and got it to the desk in time. When one link in that chain breaks, a strong image dies on a hard drive.

That is why we care as much about the boring parts as the beautiful ones. Metadata, licensing, archiving, delivery. On the PR side of the chain, platforms such as PR-Dashboard keep press photos and background material in one place, so journalists can find and use them fast. The tools change, but the goal stays the same: get the true image in front of the reader while the news is still news.

Our guides name the small decisions that professionals make every day, so you can make them on purpose instead of by accident.


Start in any room

There is no fixed route through this gallery. If you shoot, begin with the craft. If you edit, begin with press photography. If you supply images to the media, begin with visual PR. And if you simply love the stories that pictures carry, the last room is yours.

New guides are added through the year by James Kennedy. Take your time. Good photographs reward slow looking, and so do the stories behind them.